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1928 Oil on canvas63.5 cm × 93.98 cm (25 in × 37 in)LACMA

La trahison des images 1928 Oil on canvas
63.5 cm × 93.98 cm (25 in × 37 in)
LACMA

pipecodeFINAL

The QR code is very fascinating concept. Though only 15% of the population who actually utilize it, it is everywhere. It doesn’t require a computer chip or some kind of magnetic force. It is simply a print of an image; an image that a machine reads and outputs the information that the code directs it too. If we are not aware, we too can become robots  and read images to only outputs when the image tells us to. We have to prove ourselves as cognitive being by destructing the image, thinking about what we see and why we see it in this way.

Magritte questions the same thing in 1928. He makes us question the authority of what we see and not to be fooled by what the image tells us to think. Magritte states, “Ceci n’est pas une pipe” because he can’t stuff it, he can’t smoke it; this is only a painting, a representation of a pipe. This iconic pipe is now digitalized in QR codes. Not only does the code represent a URL, it actually links the scanner to its virtual life, which is the reality of most people’s lives today. This pipe is personified by its Facebook profile. It is actively socializing, tagging, posting, and connecting with people.

Facebook today is simply a series of images that represent a person. We must challenge the interactions we have with the representation. How close and how intimate can you be with a person via Facebook?

Next click here.

Or go back to the first.

The Treachery of Images

The Lovers

The Future of Statues